Exact(6)
Because for the first time in decades there were comics available that actually spoke to them directly.
By the end of the hourlong session, there were comics about islands populated by Native Americans, and about aliens who communicated in Morse code.
Actually, in the 40s and 50s, there were comics aimed at women [such as My Date, Lovers' Lane or Girls Lifee] which sold 500,000 copies a month.
I was excited to learn that there were comics creators who shared my sexual identity and my love of comic book art.
Long before there were "graphic novels," there were comics known as "Classics Illustrated," and again, those interviewed talked about how reading the comic about a classic book led to reading the book itself.
There were comics that I found that were just couples at home, or illustrations of dudes doing it in an apartment, outside of a pornographic context, just because they were dating or whatever.
Similar(52)
But 'will there be Comic Sans 2?', you ask.
LONG before television became a friendly flicker in American households and laptop computers started popping up in trendy coffee bars, there were comic books.
There were comic possibilities embedded in Eastwood's mask, and the director Don Siegel (who became Eastwood's mentor) exploited them in the coarsely conceived "Coogan's Bluff" (1968).
There were comic moments (in Cage's "Living Room Music") and moments of comparative repose (in Feldman's "Viola in My Life (1)").
In the US, there were comic strips such as Otto Soglow's The Little King, begun in 1931, and Carl Anderson's Henry, begun in 1932.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com