A set of input sequences P is named transition cover set of M if for each transition (s,x ∈D there are sequences α,αx∈P, such that δ s0,α =s, and ε∈P to reach the initial state.
17], [18]), so there are sequences ({ e_{j} } subset X) and ({ e_{j}^{ast } } subset X^{ast }) such that X=overline{operatorname{span}}{e_{j},j=1,2,ldots },qquad X^{ast }= overline{operatorname{span}}^{W^{ast }} bigl{ e_{j}^{ast },j=1,2,ldots bigr}, and bigllangle e_{j}^{ast },e_{j}bigrrangle = textstylebegin{cases} 1,& i=j, 0,& ineq j. end{cases}.
There are sequences that would be a lot of fun to play.
So there are sequences of physical comedy, relentless one-liners and an extended gag involving a puppet.
"There are sequences where they start saying: 'Who am I? I'm a human being, I wouldn't do that,' " he said.
In the later comedies there are sequences so offensive — to women, blacks, the obese, gays, the aged — they make one gasp.
But there are sequences, such as the one set around a trampoline bathing pool, that look within reach and are probably more entertaining to perform than watch.
To be fair, there are sequences that reach beyond the creamy skin of the pleasure-hunting culture, prodding it for signs of decay.
There are sequences in the film (again, I'm phrasing this cagily to avoid spoilers) that offer the visual point of view of a bird.
Even though there are sequences where the young Juilliard dancers just trace movement that can never be too luscious, it's impossible to miss the excitement with which this work stretches them toward risks and precision at the same time.
The result, paradoxically, is that there are sequences where the invented world of Westeros can seem more realistic than the evocations of the past to be found in many a historical novel.
