Sentence examples for theory of character from inspiring English sources

It was a study of the anti-social personalities he had encountered in the Ambulatorium, and argued the need for a systematic theory of character.

According to Danto, he was well-regarded during this period for the weekly technical seminars he chaired at the Ambulatorium, where he gave papers on his emerging theory of character structure, arguing that psychoanalysis should be based on the examination of unconscious character traits, later known as ego defences.

They were like two opposed theories of character formation.

The only ballet with a hint of a specific theme, "The Four Temperaments," derives from medieval theories of character types.

With Elaine Chelton as the piano soloist in this ballet inspired by medieval theories of character types, Mr. Boal deliberately let his phrases begin strongly and then dwindle away in the Melancholic variation.

The result found will be used in designing of the program theory of the character education in terms of discipline, sufficiency living and public mind for the evaluation of the character education.

Brauer carried forward Frobenius's work and developed a theory of modular characters that gave new insights into the study of group characters and advanced the development of algebra.

(Haybron 2002b, 267) According to most, if not all, theories of evil character, to have an evil character it isn't sufficient to do evil, or have evil-making characteristics, only on occasion; it is necessary to have evil-making characteristics regularly, frequently, or repeatedly (See, e.g., Calder 2003 and 2009; Card 2002; Thomas 1993; Barry 2009).

It's entertaining to watch Adjmi equate intellectualism with sexiness, but occasionally he slips too far into the dry groves of academe, substituting theory for character.

There are six main types of theories of evil character, or evil personhood (The terms 'evil personhood' and 'evil character' are used interchangeably in the literature.

Possibly the largest exhibition about its subject held in New York, it comes at the viewer with a resonant if portentous title -- more than three decades of Canadian photography by nearly 60 artists and a theory of national cultural character that seems both vague and limiting.