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This is a passage of great complexity, in the form of a double fugue involving development of many of the preceding themes, with constant changes to the key signature.
Using the transcripts, participant responses to individual questions were separated into themes, with constant reference being made to interview and observation notes.
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The interview topic guide was refined during the interview process as themes emerged, in accordance with constant comparison methods derived from grounded theory [ 18, 19].
Displacement and dispossession were constant themes, with evocative landscapes seen through the eyes of deracinated exiles such as James Kronk in White Lightning (2002), who returns to his native South Africa to find his over-simplification of the problems in his homeland has tragic consequences.
An iterative approach to analysis of the interview-material was taken, with constant refinement of themes that emerged from the data.
Interviews were transcribed and examined for common themes using constant comparative analysis with NVivo software.
The themes were subsequently analysed at a more interpretative level, with constant cross verification with the outcomes from the other tools.
Surfaces with constant curvature.
The two sets of data (as outlined above) were analyzed separately, following these procedures: initial familiarization with content across all documents; generation of initial codes (categories and/or keywords); generation of initial themes; review of themes using constant comparison; defining and naming themes, and organization/presentation of themes.
Arikha drew Beckett constantly, with his beaked bird's profile, in silverpoint, ink and crayon: playing chess, smoking, listening, pushing back his glasses.Beckett's plays, with their theme of constant striving against the odds, their inevitable failure but determined continuing towards some sort of truth, fitted exactly with Arikha's notions of his art.
New emerging codes were added to the list of categories and themes created through constant discussion with other researchers to ensure the list of categories and themes produced the best representation of data obtained.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com