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After last week, The Zygon Inversion took the action down a few notches, but the themes way, way up.
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The nine dall'Aquila works Mr. O'Dette played on Sunday included a handful of free-spirited Ricercars in which beautifully melancholy themes gave way to speedily virtuosic elaborations.
Literary themes gave way to pictures of mundane beauties, such as his mistress, Fanny Cornforth, gorgeously appareled and painted with a command of oils he had not previously shown.
It started from the premise of Mr. Coleman's music: clarion bebop themes giving way to long and grooving collective improvisations with no predetermined chord changes.
In "War and Peace" the comet stands for one of the novel's central themes: the way world-historical forces interact with individual destinies.
It's nice to have the option to personalize and skin your browser, but most of these themes are way too distracting.
Photographs are a recurring theme, a way of capturing time.
A lyrical "Czech" theme, by way of Smetana and Dvorak, is quickly introduced to set locale.
Meanwhile, the political theme gives way first to a family story, then to a war story.
"There is a porosity of themes and ways of speaking on these topics that has removed inhibitions," he said.
There a spacious major-key theme gives way to an ominous tremolando, reflecting a contrast in the Heinrich Heine text: "The sea shimmered far and wide. . . .
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com