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There was slow or spacious solo-piano music from various indistinct traditions; a few melodies that might have been film-soundtrack themes; a bit of improvisation.
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Spamhaus plays up the comic-book theme a bit.
Personally I did find the Hotel du Vin's wildly ubiquitous wine theme a bit overdone.
It may take its "wired" theme a bit far (armoires with circuit board inlays?) but the feeling is vibrant.
The interplay is striking, and toward the end of the score, a variant of the folk theme — a bit eerier this time — is restored.
Universal, though, stretches the theme a bit further: its celebration runs 19 nights this year, compared with 16 at Knotts, and it wants to make it a monthlong event.
(Maybe pushing the theme a bit too far, a cluster of mollusk-shaped buildings sits on the site's eastern edge).
I'm used to seeing this sort of theme a bit later in the week, but I had just finished writing the other day that the puzzles may well be evolving, so I won't go back on that.
Perhaps warming to this theme, a bit later he confides that the closing pages of The Children Act contain an explicit homage to James Joyce's greatest short story, The Dead.
(Some of the themes are a bit ugly, though).
The look is grainier and grimier, and the themes are a bit darker and more unsettling than those in "Sorcerer's Stone" or "Chamber of Secrets".
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com