Sentence examples for theme whose from inspiring English sources

The theme, whose words come up on the screen at the end of each commercial, is "When you cook, you're a family".

Time and again, David Cameron came back to one theme – whose country do you want, the little England of Nigel Farage, or a Great Britain in the EU?

The sound was rollicking but refined, as the pianists, neither known for hammering the keyboard or for injecting unruly comedy into a performance, traded variations on the theme whose melody echoes the opening verse of "Star Dust".

Denzel Washington's eyes well up, and the score, devised by Harry Gregson-Williams, which begins with wrathful hip-hop, slows to a mournful theme whose first four notes echo the leitmotif of "Parsifal".

But the effect is even more subtle than simply shifting through the gears: the final appearance of the trombone theme, whose three-fold appearances are the symphony's most obvious landmark, is achieved by a musical time-warp.

It has been said and this certainly holds true for the musāmarah that Arabic literature demands attention from its listeners only in short bursts, for listeners are carried from verse to verse, from anecdote to anecdote, from pun to pun, along a theme whose broad outline is entirely familiar.

Concentrating on the abilities and potential of children with disabilities would create benefits for society as a whole, says the report whose theme is Children with disabilties.

In fact, you could say that it is despite his themes, whose lyrical contours are undercut by a constant muttering of saltarello quavers set loose in the opening page that course through the whole movement in various guises.

A poet of action and retribution in the old American West, Mann has long been recognized as an example of the kind of director auteurists love: one who offers stories with recurring themes, whose protagonists share a common psychology, and whose visual techniques are recognizable as his signature.

But almost from the first moments of his residency at the Harlem Community Art Center he began to produce canvases on African-American themes, whose intense colors, pictoral flatness, and bold geometric simplicity seemed to add up to a fresh naivete, an energetic neo-primitivism that suited the contemporary black American story.

Marie in this and other productions), and Tchaikovsky poured his grief, and his vivid childhood memories, into stirring musical themes whose richly evocative symphonic orchestrations ring out today not just in opera houses around the world but also in shopping malls, elevators and television commercials.