It depends on the context and meaning you are trying to convey.
"Their transformations" is grammatically correct and can be used in written English as part of a sentence. It refers to changes or alterations that have occurred to a group of people or things. Example: The students were amazed by their teacher's transformations as she effortlessly switched between comedic and serious roles during the school play.
After all, Transformers, for all their transformations, arevery fancy cars, and they're doing much of their thing in Chicago or Texas, England or Hong Kong—so, when Bay gets them onto a floating pile of space junk, he's able to define the impossible in relation to the recognizable.
After all, Transformers, for all their transformations, are very fancy cars, and they're doing much of their thing in Chicago or Texas, England or Hong Kong—so, when Bay gets them onto a floating pile of space junk, he's able to define the impossible in relation to the recognizable.
They took the steps, did the transgressions, began their transformations".
Its executives may talk about radical transformation, but their transformations aren't particularly radical.
The grills are a kind of spiritual message board, upon which visitors leave evidence of their transformations.
All those soon-to-be's mean that the story moves, the characters have many dimensions and their transformations are plausible and moving.
Merian, who was born in Frankfurt into the family of a Swiss engraver and publisher, had been fascinated by the life cycles of butterflies and made their transformations the subject of close studies.
During a boardroom session to present their transformations, Trump reportedly made a series of comments on singer Emily West's physical appearance, specifically her skin, saying: "I assume you're gonna leave this off, don't put this shit on the show, you know.
And just as suburban ranch houses are being renovated to reflect the styles and needs of today, the white brick buildings, erected in the same era, are undergoing their transformations, although the results are not as obvious as, say, a new French-country facade.
In this wilderness of a city, haloed Gibreel pursues a career as a full-fledged archangel that ends in blood and fire and disaster and a veritable massacre of supporting players before the two actors return, seperately, to Bombay, there to finally engage with the complicated dialectic of good and evil that occasioned their transformations in the first place.
They are plays that ask for the audience's close collaboration in making believe as the performers go through their transformations, from being actors offstage to characters onstage in "Life," and through the last decades of one elderly Southern woman and her chauffeur in "Driving Miss Daisy".
