Sentence examples for theatrical creation from inspiring English sources

Fatigue had begun to set in, and the thought of plunging into another theatrical creation was daunting.

Both Mr. Linzie and the park itself are characters in Mr. Joseph's latest multidisciplinary theatrical creation, "red, black & GREEN: a blues," which, after touring the country, opens Wednesday at the Brooklyn Academy of Music.

Let's imagine, then, that among the assorted warblers and strummers and leather-lunged divas that have made up the renewable cast of hopefuls on the country's No. 1 television show, you appear not as some talented hopeful with a shady backstory but as a theatrical creation with a message to sell beyond the usual will to prevail.

BOOMTOWN is the most theatrical creation from Wonderbound so far, by that I mean the most like a musical theater piece rather than a story ballet.

These theatrical creations can never take themselves too seriously; they are romps, exaggerations, reassuring gestures that nothing is at stake, even if everything is.

Ultimately the characters don't seem more than theatrical creations, despite the strong efforts of the actors, who are bracingly less sure of these people's inner lives than the script would suggest.

The group owns some famous labels, such as Christian Dior and Givenchy - which have dressed generations of the world's wealthiest women - along with Kenzo, and the theatrical creations of Christian Lacroix.

It shows Mr. Wilson at his most perceptive concerning the implications of both his means and his subject, and it deserves to be considered one of his most penetrating theatrical creations.

Among Mr. Davis's inspired theatrical creations are a teenaged Latina gang girl called Graciela Grejalba; a white supremacist militiaman named Clarence; an itinerant street preacher called the Rev. St. Salicia Tate; and a Katherine divaam-style diva called Voodoo Williams, styled the doña of dance.

In Southern California, where he lived for most of his life, Bradbury was an active and familiar presence in the theater scene, adapting some of his popular fiction for the local stage while also penning original theatrical creations.

Because Méliès does not use a modern cinematic vocabulary, some film scholars have created other frameworks of thought with which to assess his films; for example, some recent academicians, while not necessarily denying Méliès's influence on film, have argued that his works are better understood as spectacular theatrical creations rooted in the 19th-century stage tradition of the féerie.