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It's just that the theaters highlighted here are devoting their seasons to new works exclusively.
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Among the theater highlights are the the Laramie Cycle from Tectonic Theater Project.
THE New York Times's theater critics are not the only ones willing to opine on spring theater highlights.
KELSEY THEATER "Highlights for Children," a musical for children based on the children's magazine, presented by ArtsPower.
Theater highlights include the Cho-In Theater of Seoul, South Korea, presenting "The Angel & the Woodcutter," a wordless adaptation of a traditional Korean folk tale, and "Gobo.Digital Glossary," a surreal take on the Everyman story by the AKHE Group of St .Petersburg, Russia.
Other theater highlights include Georg Büchner's "Woyzeck," from the Vesturport and the City Theater of Iceland, with music by Nick Cave (Oct . 15-18, and "Opening Night," the latest creation of the Flemish director Ivo van Hove ("The Misanthrope"), which translates the 1977 John Cassavetes film of the same name to the stage (Dec. 2-6).
Theater highlights include the Builders Associationn's "Continuous City" and "Nevermore," a dreamlike piece from the Catalyst Theater in Edmonton, that uses movement and music to delve into what must have been a frightful place: the mind of the tormented genius Edgar Allan Poe.
If you thought Instagram was already a success theater highlight reel of people's lives, now they'll be even more incentivized to trim the fat.
The engaging Composer Portraits series at the Miller Theater has highlighted the work of a wide range of composers, from the up and coming to the legendary.
So far, Trav S. D., a historian of vaudeville, talked about the long bare-knuckles history shared between the boxing ring and the stage, and Alexis Soloski, a critic and theater professor, highlighted unforgettable stage entrances.
Trav S. D., a historian of vaudeville, talked about the long bare-knuckles history shared between the boxing ring and the stage; Alexis Soloski, a critic and theater professor, highlighted unforgettable stage entrances; and the playwright Sarah Ruhl explained why critics were not invited to review her "Melancholy Play".
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