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They confront the viewer with horror, dread, and, ultimately, pathos.
The man glares at the viewer with undisguised animosity.
This leaves the viewer with a lot of responsibility.
The space envelops the viewer with a combination of tactile and spatial challenges.
They stare at the viewer with a very human expression of wary curiosity.
Conventional 3-D the type found in movie theaters—provides the viewer with only one perspective.
Seen in quantity, they disarm the viewer with the restless variety of their formal invention.
Nowadays messages attempt to beguile the viewer with a light approach.
The head has a menacing expression, looking out at the viewer with anger and disdain.
The meaning of the images is again left to the viewer, with no judgment implied.
There are some films that confront the viewer with profound ethical dilemmas, agonising moral choices.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com