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Like "Lost," or "Star Trek" or "The Sopranos," "Mad Men" would often take the viewer on a discrete, concrete journey within one episode, which could be about an idea, or one or two themes, or one or two people.
It also keeps the viewer on tenterhooks.
Calvary: the title serves notice and puts the viewer on guard.
Soon they'll be able to put the face of the viewer on to the leading character.
The metalwork often echoes the lines of the paintings, subtly instructing the viewer on how to approach a work.
In any event, at various points, the characters call the viewer on the previously entered phone number.
"Some of Pich's work refers to the body or bodily organs, so they affect the viewer on a visceral level.
That they work at all is due to Mr. van Lieshout's relentlessly aggressive personality, which keeps the viewer on edge.
In under an hour -- which on the large screen passes for full length -- "CyberWorld" takes the viewer on a tour of "Galleria Animatica," a virtual museum of animation.
Three red-robed Nikes greet the viewer on the way to the Met's own intimate Hades, the basement galleries where the Costume Institute is infernally lodged.
And unless you drastically change the rules of hockey, we'll always be talking about incidents that challenge the viewer on whether they are tolerable.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com