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Just one problem: The two paintings were "painted" three months apart.
KMS3262 and KMS1671 seem quite similar in material composition in the analyses that have been used here, and the two paintings were also painted more or less at the same time but by two different artists.
The two paintings representing Judith and Holofernes painted by Caravaggio belong to two different periods of the author's life.
In the table a distinction is made between pigments found in the ground and paint layers, and the two paintings are noted with the letter a or b, designating the portrait of Drachmann and the portrait of Christoffer, respectively.
Munch painted several versions of the two paintings, but the ones in the Munch Museum are considered among the most complete.
Paint samples taken from the two paintings during conservation were made into cross sections by embedding in Technovit 2000 LC light curing resin placed in EasySections.
Examination of paint layering structure in cross sections found no evidence of an intermediary ground layer between the two paintings, confirming that The Blue Room was painted directly on top of the hidden portrait.
The results of this study have shed light on key aspects of the artists' painting technique as reflected in the close 'stratigraphic' relation of the two paintings.
A stunning example of the difference between the two paintings is seen in sample X21, where the layers of the hidden painting are variegated mixtures of yellow, blue, green, and white, mixed wet-into-wet on the canvas.
Which of the two paintings is better?
But the two paintings share one common feature.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com