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Exact(6)
The third phrase is: "Well usually...but now I don't know anymore".
The third phrase of the tune, corresponding to the third line of the stanza, proves statistically the most variable.
LB prosodic cues: (1) clearer downstepping from the first phrase to the second phrase, followed by moving up of pitch from the second phrase to the third phrase; (2) longer pause between the second noun and its particle ("no"), inside the second phrase; and (3) longer final segment duration in the second phrase.
It is RB when the second phrase (the first noun phrase) should first be combined with the third phrase (the second noun phrase) (i.e., "the red necktie with stars"), and LB when the second phrase should first be combined with the first phrase (i.e., "the necktie with red stars").
RB prosodic cues: (1) No clear downstepping from the first phrase to the second phrase, followed by downstepping from the second phrase to the third phrase; (2) longer pause between the first and second phrases; and (3) longer final segment duration in the first phrase.
The third phrase in song is the buzz.
Similar(53)
It was the second phrase of "Phantom".
She did not get past the first phrase.
The first phrase produced by Isaac is 'boss tha'.
The second phrase is: "I've never seen that before..."...
In other words, the first phrase apparently should have read "to guard" rather than "to shake".
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com