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The first of the show's abundant wall texts posits "regenerative order and classical beauty" and "rational organization, objective values, and heroic embrace of the human figure" as the shared principles of the art of the time.
Then the text goes on to posit a strategy worthy of Napoleon, if Napoleon had been a woman, but he wasn't so he wound up getting fired and hanging out at the Senior Mixers on St. Helena.
In "The Pleasure of the Text," the French semiotician Roland Barthes posits a reading-related dichotomy between books that cause pleasure and those that cause jouissance — a word he used to mean both bliss and orgasm.
The new interpretation by Galil posits that the text is Hebrew and labels the jar as containing low-quality wine from a king's twentieth or thirtieth regnal year, suggesting it may have been for consumption by conscript labor.
Furthermore, the translator posits an entirely neoteric reading of the text dialectically based on contemporary notions of prologism.
The construction-integration model of comprehension posits that readers combine the textbase, or propositions derived directly from the text, along with propositions from long-term memory, to form a situation model of the text.
This concern is addressed in the text.
In the text, Lanchester is vague about the precise nature of the Change, but in a recent episode of the "Talking Politics" podcast, he said that he posited a four-degree Celsius temperature increase that produces rising seas and disrupts the Gulf Stream, accounting for the island's frigid climate.
Possible mechanism was discussed in the text.
That's the text.
"The text is clear.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com