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And yet the voices on the stage are anxious.
The feelings that emanate from the stage are mostly autoerotic.
His periodic returns to the stage are interruptions, annoyances.
The walls of the stage are black, and there is a low platform at the back.
Granted, this is country, but roué rustics living it up behind the stage are surely superfluous.
Many of the ways in which people appear on the stage are completely artificial.
Projected across two panels blocking the stage are images from the New York subway system.
Pretty calm, although the bank of people at the front of the stage are so noisy.
Here again, Mr. Feld's structures for the ensemble, which snakes across the stage, are complex.
The groundlings standing at the edge of the stage are eager to answer him.
The walls of the stage are plastered with wet clay, suggesting a little castle.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com