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The setting suggested rebellious schoolgirls even before the fashion story was rammed home with clothes to suit: those blazers, silvered gray check, smart knits, and short and cute skirts.
The setting suggested modern gags: one character, dreaming of a big new house, asks if the beach will be private or filled with day-tripping riffraff; another indicated that the Villa itself, just behind the stage, would make a suitable residence for him.
These were performed in town halls and other large buildings for a ticket-buying audience, or were booked by societies or for private showings in the homes of the well-off, the setting suggested in both of Wright's demonstration pieces.
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The mood is confrontational, the setting suggests a dusky nightclub and the music is raucous blues and gospel belted out live by E. Faye Butler.
And prices are generally far steeper than the diner-like plainness of the setting suggests – starters average around £8, and mains from £16 to £19.
The controlled power and variety of the set suggested that the Stone Age that Homme is interested in is rock itself, in all its iterations.
His performance — and the others' too — was all possibility; the set suggested that this group could have as much to say as it wanted.
A majority of the set suggested the sort of tunes Wayne Shorter wrote for the Miles Davis Quintet around 1967, after Herbie Hancock had switched to Fender Rhodes keyboard but before Davis went whole-hog electric.
For example, empirical screening of only the top 100 agents (around 7% of the set) suggested by the best-performing PSI model identified around 31% of active agents.
The set suggests a perilous, blood-filled chasm.
At dusk, the 70-minute show began with heraldic trumpets, the set suggesting the carved stone of a Mesoamerican temple.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com