The sequence opens with Titus's birth, "suckled on shadows; weaned, as it were, on webs of ritual: for his ears, echoes, for his eyes, a labyrinth of stone: and yet within his body something other – other than this umbrageous legacy".
Jazzy and cosmopolitan, and set to a Stravinsky capriccio in which you can hear the strident blare of Manhattan, the sequence opens with an extended duet for Kristina Kretova and Andrei Merkuriev.
The sequence opened with Time Will Pass You By by Tobi Legend, followed with Long After Tonight Is All Over by Jimmy Radcliffe, and ended with I'm On My Way by Dean Parrish.
The following sequence opens with a warming vinyasa called Salutations to the Sun and then flows into a more advanced version of that vinyasa.
To break the deadlock, Qatar proposed changing the sequence: open the Taliban office with a statement from the movement distancing itself from international terrorism and supporting a political resolution of the conflict; complete the confidence-building measures with the U.S.; and then meet with Afghan representatives.
The A & E package is out of sequence, opening with Macnee-Rigg episodes, followed by Macnee-Thorson and then Macnee-Blackman.
Lowdown: Equinox borrowed from the world of gaming for the Pursuit, an interval-based sequence that opens with individual drills.
The series is also well remembered for its title sequence, which opens with an often-quoted countdown by voice actor Peter Dyneley: "5, 4, 3, 2, 1: Thunderbirds Are Go!" A part-live action, part-CGI remake, Thunderbirds Are Go!, will be broadcast on CITV in 2015, the 50th anniversary year of the original.
More serious subversion begins in a sequence that opens with "I've Heard That Song Before," in which Mr. Rebic's spoken commentary turns a feel-good celebration of a "theme" that "recalls a favorite dream" against itself.
The book opens with a sequence of two naked young women, one standing, the other seated, taken by Eadweard Muybridge in 1887.
The film opens with a sequence inside an African slave embarkation point (dramatically named "the door of no return") and returns time and again to the knotted loyalties of Jamaican politics and Marley's attempt – through conversion to Rastafarianism – to convey a global Black Power message in his music.
