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The reader is drawn in at once.
The reader is drawn into the paintings and into contact with their creators.
As the region becomes the setting for countless massacres, the reader is drawn into a terrifying inferno.
Thence the reader is drawn into a succession of narratives, at times apparently unconnected but circling the central mystery.
In spite of that, and despite the absence of a clear plotline, the reader is drawn into events.
The reader is drawn to the initially unlikable multimillionaire Howard, the only man among the four protagonists.
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Bill's husband has been dead for six months, and in contemplating how she should divide up the fortune he left her, Bill — and the reader — are drawn back 31 years to a time when her younger self meets, falls for and elopes with a youthful colleague of her father's.
In each case, the writer was successful because the reader was drawn into the narrative by the beauty of the language, a masterful use of point of view, or an intriguing personal life against which the monstrosity of the main character could be highlighted.
As well as the Oscar winner Wajda, the readers were drawn from across Russia, including schoolchildren, politicians, professors and actors – as well as one cosmonaut.
And one thing that impresses us about her writing and the way she organised her stories, is how a reader is drawn into the story - you're never sure where you are but little by little, clarity comes through.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com