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So is the deft storytelling; an early lesson from Engel, for example, about the "charm song," that is, a song that exists in a show merely to charm, not to push the plot, resurfaces in the writing of "What I Did for Love".
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As the plot unfolds, all my old objections to the genre resurface in the form of questions.
The plot revolves around Veronica's 10th high school reunion, a logical reason for Thomas to resurface familiar faces.
Here's the plot.
NEVER mind the plot.
What is the plot?
The plot was botched.
The plot also helps.
They joined the plot.
Introduce the plot, right?
Then the plot thickened.
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