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An idea, according to Arnauld, is the same thing as a perception (in the broad sense of the term characteristic of seventeenth-century philosophy), and every perception has an object distinct from the perception itself.
The objection is based on the fact that one can easily imagine situations leading to definite perceptions, that nevertheless do not involve the displacement of a large number of particles up to the stage of the perception itself.
Cross-modal studies showed several implications of this characteristic: modalities can influence each other not only on thresholds (e.g., ability to detect visual motion influenced by sound) but also on the intensity of the perception itself, when one modality improves the experience of another modality [17].
But Rand does not regard this fact as impugning the reliability of the senses, since the judgment that a particular feature belongs to a perception's content rather than its form is not contributed by the perception itself but is a volitionally, fallibly formed conceptual response to that perception.
In typification, an interpretation is not superimposed on a perceptual act; it imbues the perception itself.
Hume claimed that "when he introspected, he was unable to catch his self without a perception and was unable to observe 'anything but the perception' itself".
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First, there is the auditory perception itself: the physics of sound waves making their way through your ear and into the auditory cortex of your brain.
In the exhibition brochure the architects state that the show is about "the act of perception itself," which is consistent with the Artist's Choice format.
Rather it is the way in which his paintings, by virtue of their presentation of form-in-the-making, lead us to seeing ourselves perceiving the act of perception itself in the existentialist fashion.
The style's radicalism lay in the determination to paint not just reality but the seeing of reality, the act of perception itself, by showing how light, especially bright light, tended to dissolve the colors and forms of the world.
We do not have to go beyond perception to realize that perception usually delivers an accurate picture of the world, but perception itself presents a faithful representation of the world and of its own validity.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com