Sentence examples for the most essential element from inspiring English sources

Perhaps the most essential element in Japan's relative decline is its insularity.

Gifford's art stressed light as the most essential element to convey: light dissolving form into atmosphere.

This poses a much more serious threat than the Soviet Red Army because these human bombs attack the most essential element of an open society: trust.

Trust is the most essential element in any relationship and yours doesn't have it, so no matter where he lives it is doomed.

"The decline in state-sponsored terrorism means that the private support for terrorist groups has become the most essential element in fund-raising," said Reuven Paz, former academic director with the International Policy Institute for Counterterrorism in Herzlia, Israel.

While Belichick is undoubtedly brilliant and the Patriot Way might well be equal parts ingenuity and intrigue, Brady's sprint onto the Gillette Stadium field was a reminder that he remains the most essential element of all the winning here.

But I think the most essential elements for a music scene to thrive are its venues, be they grand halls with great history or tiny bunkers under pubs.

Koetsu's art exemplifies some of the most essential elements of the Japanese sensibility, including its signal indifference to the distinction between art and craft, or the migration of similar motifs from one medium to another.

"The most essential elements of an onsen ryokan are its location and quality of onsen water," Hiroshi Ebisawa, an architect and designer who is a specialist in hot springs, said in an e-mail interview.

But these works, in addition to "Leaning Duets 1 and 2," "Walking on the Wall," "Falling Duet 1" and "Floor of the Forest" demonstrate lucidly and dramatically the way in which Ms. Brown was methodically exploring the most essential elements of the dancing body.

If "Skins" evoked the visual elements of a high-end retail venue, A Pot for a Latch, named for the traditional practice of ceremonial gifting called potlatch, embodied the most essential elements of exchange as well as a transfer of agency through which Camil allowed viewers to shape the installation and take the art out of the exhibition and into the world.