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Can you convey everything the listener needs to know through dialogue?
The listener needs a generous ear when sifting through almost thirty albums (plus an even greater number of live recordings and compilations) made by almost fifty band members, but in his own, grudging way Smith is the most generous man in northern England.
I also realized, however, that the listener needs a frame of reference to perceive the daily cycles, something that corresponds directly to the rotation of the platter.
But at the same time, the listener needs to feel like they've traveled the full length of three centuries of American life by the end of the an episode.
Think about the details that the listener needs to know.
Sometimes it may be just what the listener needs but that doesn't make it any easier to hear.
Similar(52)
Chris Younie for 4Music wrote that Aguilera is "ramping up the romance and sexual energy" on "Red Hot Kinda Love", which will make the listener need to take a cold shower.
The amateur listener needs no key to the piece's arithmetical symmetries to sense Webern's delight in order.
Granted, you won't get any extra power in the lows or feel that bass keep bumpin' bumpin' (this beat goes boom, boom), but you will get some added volume and that's all the casual listener needs anyways.
So is the discontent of a few listeners and the inability of a critic to do his job merely acceptable collateral damage for the listener who needs mechanical help?
Since we mainly focus on the difference of perceived virtual sound location between processed and unprocessed multichannel audio excerpts, the listener just needs to tell how about the differences, obvious or not.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com