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It is worth recalling that Michelangelo's "Last Judgment," completed in 1541, covered over frescoes by Perugino, and that the "Last Judgment" itself was altered several times, beginning as early as 1564-65.
Only at the Last Judgment would the two be separated.
The Last Judgment is a manic revelation of mayhem.
It is "The Last Judgment," not "The Last Supper".
Cleaning and restoration of the Last Judgment was completed in 1994.
The "Last Judgment" shows a stern Christ, judging the righteous and sinners alike.
The intercessors are restored, and the scene of the Last Judgment is treated with optimism.
El Greco reportedly offered to repaint "The Last Judgment" in a more seemly manner.
At the Last Judgment the resurrected will be assigned either to eternal life or eternal damnation.
The method he proposed was muḥāsabah, the anticipation of the Last Judgment through constant self-examination.
It's lifted from a 16th-century print of "The Last Judgment" by Pieter Bruegel the Elder.
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