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The gaze is circular.
The gaze drifts upward.
The gaze of Philip Seymour Hoffman.
But abruptly, the gaze is compelled elsewhere.
The gaze is between artist and painting.
The gaze now falls on Newburgh".
A stand also helps orient the gaze.
The beard, the deep-set eyes, the gaze.
The gaze moves through the scene like an icebreaker.
Like artists, critics work under the gaze of posterity too.
Back and forth the gaze beating against unseeable and unmakeable.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com