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A strenuously but elegantly achieved resolution seems around the corner, but instead the four instruments find new territory: a long if interrupted melody they play largely in unison.
This was partly a homage to his beloved Schoenberg -- then still living -- in that the four instruments are those of Schoenberg's "Pierrot Lunaire," leaving out the piano.
The slowly inexorable, quietly anguished modal music of the opening Elegy employs the four instruments with daring independence and in this theatrical context, as the players walk slowly about the stage, we hear the music as four individual voices.
The 1975 make no bones about the fact that what you hear when you see them play live is not entirely generated by the four instruments you can see – there are a shedload of effects.
The Lambeth Conference is supposed to be one of the four "instruments of Communion" that bind the church together, and more than 800 bishops were invited by the archbishop of Canterbury, the Most Rev. Rowan Williams.
The last quartets are filled with startling gestures: a bow tapping ominous accompaniments against a music stand, or sustained notes exchanged between the four instruments ending in swooping, violent crescendos.
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Marsh continued working with the two instruments.
Visually, the three instruments could hardly be more different.
The two instruments will alternate until another unit of music is introduced, and so on.
Remarkably, the two instruments – despite exploiting very different scientific procedures – produced identical results.
To be sure, the two instruments make for an uneasy union.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com