Sentence examples for the first ballad from inspiring English sources

Save a Prayer was the first ballad they released as a single, featuring an immediately identifiable yet mysterious, almost arabesque, musical ululation at the outset and throughout.

"The Wind Cries Mary" is the first ballad recorded by the Experience; Hendrix wrote the lyrics after an argument with his girlfriend, Kathy Etchingham, whose middle name is Mary.

Mitsuda worked on three more titles for Square: Tobal No. 1 (Square's first PlayStation game) and Radical Dreamers: Nusumenai Hōseki both in 1996, and Xenogears in 1998, which featured the first ballad in a Square game, the Celtic ending theme "Small Two of Pieces" sung by Joanne Hogg.

It didn't, and it got worse with the first ballad offering of the evening, "I've Got a Crush on You". Another swing tune failed to swing before Henderson turned back to the ballad and instructed bassist Jerry Watts Jr. and drummer Mike Shapiro to lay out.

The second ballad, "When We Awoke, It Was to That Familiar Phrase: New Orleans Dodged a Bullet," is mostly an essay for French horn and electronics, and the two instrumental interludes take in some of the livelier elements of New Orleans jazz.

In the second ballad, Robin slays Guy in fair fight, cuts off his head, sticks it on the end of the victim's bow and "nicks" the face with his knife to render it unrecognisable.

The fourth ballad, "Winnsboro Cotton Mill Blues," is a virtuosic depiction of a mill's machinery, thundering, then breaking off into blues flourishes: compelling music, certainly as showcased in this impressive performance.

The song was the second ballad for Madonna after "Crazy for You", and was used in the film At Close Range which starred her then husband Sean Penn.

"You've Got It" is the third ballad, a bluesy, sexy interlude -- a love song -- rare for this album, but necessary in among all the raucously joyful sturm und drang.

"The Ugly Organ" is a concept album about the contradictory demands of sex and song, and it also includes the band's first ballad, "The Recluse," in which Mr. Kasher reduces self-loathing to a simple sigh: "I'm not that desperate/ Oh no.

When talking about the ideas and concepts of the video, Kahn said that the video, his first ballad with Brown, should speak for itself through the ideas that he had and the "genesis" of what that idea was.