Sentence examples for the distant ends from inspiring English sources

Several companies have learned that they are vulnerable, politically and therefore commercially, when they do not control the distant ends of their supply chains.

Searching for the Perfect Macaroon The search for a new macaroon supplier has taken officials of the Century Club far from the rarefied salons of their 43rd Street clubhouse to the distant ends of Brooklyn and Queens and provided them a crash course in, well, all things having to do with the macaroon, Eric Konigsberg reports.

The search has taken members of the Century family far from the rarefied salons of their 43rd Street clubhouse to the distant ends of Brooklyn and Queens and provided them a crash course in, well, all things having to do with the macaroon.

I looked past her to the distant end zone.

The point he is trying to make is pushed to the distant end of ridiculously long verbal structures.

You can also enquire at check-in, though some frequent travellers say this works more effectively at the distant end of the route, rather than outbound from London.

At the distant end of a long, skinny plot of raggedy green stalks, Mr. Bradley was a Coppertone blur in a stained T-shirt and baseball cap.

Watching the horses break out of the trees at the distant end of the track and then, in a surreal telescoping of time and distance, seeing them suddenly thundering down the home straight is exhilarating.

IN the year 29477, at the distant end of a strife-torn galaxy, one of the most famous residents of the planet Rubi-Ka is a genetically engineered mutant called Thedeacon.

True, Kipling was by far the greater writer, recognised as a genius even by those (such as Henry James and Max Beerbohm) who were at the distant end of the aesthetic spectrum; but would this make him an easier, or more fulfilling, subject than a fine professional story-teller who happened to have created a literary archetype?

Again, it is said that Wayne took over the directorial reins when the aging George Sherman faltered, but traces of Sherman's distinctive use of landscape remain in the finely executed opening sequence, in which an outlaw gang (led by Richard Boone) slowly approaches a ranch from the distant end of a deep valley.