Sentence examples for the definitive representation from inspiring English sources

Alfie became the definitive representation of the younger generation's increasingly laid-back attitude toward sex in the 1960s.

His rendition remains the definitive representation of Native impact on the area, as any remaining sites were quickly wiped out in the development-heavy years that followed.

Mariachi has been the definitive representation of the revolutionary spirit and history of Mexico since its inception in the 18th Century.

He not his aesthetic, but the way he operates is the definitive representation of a certain subculture in this country in 2013: self-aware, bold, shameless, trolling relentlessly, retweeting critics in a way he seems to enjoy so much it's as if he's licking a plate clean.

The definitive representation of the swaggering, filthy, bombastic "I'M HERE, WATCH WHERE YOU'RE WALKING" New York City, a place memorialized in heavy-handed Spike Lee montages, scored to car horns and relentless come ons, all intolerance and impatience and flamboyance, every accent like bad parody.

He – not his aesthetic, but the way he operates – is the definitive representation of a certain subculture in this country in 2013: self-aware, bold, shameless, trolling relentlessly, retweeting critics in a way he seems to enjoy so much it's as if he's licking a plate clean.

Process modelling is often utilised in the development of novel low-carbon power generation systems, but the deterministic nature of the process models does not provide a definitive representation of the actual system's performance.

By excluding genetically mixed individuals from the analysis, our study was able to provide a more definitive representation of the intra-species genetic structure.

But Kander's portfolio was never intended to be any sort of definitive representation of who mattered in and around the White House at the dawn of the Obama era.

Solutions for large molecules, crystals and polymers are still needed, as are definitive representation of stereocenters.

Up to a point, Acheson follows the conventional line of Fowles criticism, insisting that he has never been primarily concerned with a definitive representation of how people thought and felt in any particular milieu.