Sentence examples for the deepest purpose from inspiring English sources

Every writer is first a member of a community of readers, and the deepest purpose of reading and writing fiction is to sustain a sense of connectedness, to resist existential loneliness; and so a novel deserves a reader's attention only as long as the author sustains the reader's trust.

The idea that "the deepest purpose of reading and writing fiction is to sustain a sense of connectedness, to resist existential loneliness" crops up all over the writing of the Conversazioni group: in Franzen's nonfiction, and in Wallace's, and in Smith's beautiful encomium to Wallace in her book of essays, "Changing My Mind".

"The deeper purpose of this program is realizing that normal reality is virtual reality".

Slowly, the reader understands the deeper purpose of this midnight chronicle.

But publication, they argue, advances the deeper purpose of Cather's restrictions: cementing her status as a major literary artist.

This cross-binding love is the point of the city, the lashings and the bracings of it, and it's the deep purpose of DreamYard.

Occasionally he would telephone, usually when drunk, always for a trivial purpose – help with a crossword puzzle or competition clue – though also (I guessed) with the deeper purpose of combating loneliness.

Furst handles espionage scenes with considerable skill: Count Polanyi conceals the deeper purpose behind his assignments, so that Morath, who is 44, wanders the craggy landscapes of middle Europe like someone who's partly blind.

His response defined the double-edged morality of professional sport, where a patina of legitimacy often barely hides the deeper purpose: "When it's all said and done, only God can judge.

But the deeper purpose of the Pig Encoder is to start a sly satirical attack on the Digital Millennium Copyright Act, the 1998 law that free-music advocates say puts too much power in the hands of copyright holders and restricts the rights of music lovers to share music within the boundaries of the fair-use exemptions to copyright law.

Cuckson and pianist Blair McMillen end up delivering less cheeky attitude and more of the deep purpose: their playing is frank and urgent, with powerfully stripped-back quiet passages in Bartók's Second Sonata, a gritted-teeth ecstatic climax at the heart of Lutosławski's Partita, and brutal attacks and silences in Schnittke's extraordinary Second Sonata.