"the borderland between" is correct and usable in written English.
It is often used to describe a transitional or ambiguous zone between two distinct places or concepts. For example: - "The borderland between love and hate is a treacherous place." - "The borderland between childhood and adulthood is a confusing time." - "The narrow river served as the borderland between the two warring kingdoms." - "The borderland between science and religion continues to spark debate and controversy." - "As a skilled diplomat, she navigated the borderland between conflicting nations with ease."
Truong deftly places these characters in the borderland between inherited Buddhism and imposed Roman Catholicism.
They reach out into the borderland between representation and the abstract.
His poems are often explorations of the borderland between sleep and waking, between the conscious and unconscious states.
The small businesses scattered through the borderland between the garment district and Chelsea were turning out their lights.
The play's real accomplishment is its picture of the borderland between late adolescence and adulthood, where grown-up ideas and ambition coexist with childish will and bravado.
About the mid-19th century, Adalbert Stifter's descriptions of nature and the common people inspired local followers in the borderland between Bavaria and Bohemia.
Cardia is the anatomical borderland between the oesophagus and the stomach; hence, there is constant controversy concerning their relationship in terms of epidemiology, clinical features, and classification among esophageal adenocarcinoma (EA), GCA, and DGA.
Molecular melodies still lie somewhere in the uneasy borderland between the arts and science.Commerce, however, is another matter.
Though he was often described as a writer of postmodern fiction, Mr. Federman preferred to call what he did "surfiction," a term he coined in the 1970s to describe the murky borderland between fiction and nonfiction.
Dynastically united with the Vexin (borderland between Île-de-France and Normandy) in the early Capetian period, it passed, with Crépy as capital, in 1077 to the House of Vermandois.
The themes that concerned Maupassant — reality, illusion and the murky borderland between them — have preoccupied jewelers ever since they and their clients first discovered that glass could be a convincing substitute for genuine gemstones.
