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First there is the felicity of the author's prose.
They are, however, fairly typical of the author's prose.
The author's prose is lively, lucid and direct.
The author's prose, though, is riddled with tiresome repetitions.
The spray bottle of the author's prose is often left on the "academic mist" setting.
Citing Absalom, Absalom! as his favourite Faulkner novel, Milch praised the author's prose and dialogue.
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It's such an easy, joyful read; the author's vibrant prose, simply incredible.
Such knowledge is shocking, but it's the reader's imagination that delivers the cold sanguinary shudder, not the author's boilerplate prose.
Last year our reviewer, Catherine Osborne, praised the author's "sumptuous prose".
Even so, unleavened by the author's playful prose and witty writing, the celluloid version seems starker.
As the author himself points out, demonology is no substitute for history.What also jars, to less effect, though, is when the author's effortless prose turns facile.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com