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Its morphosyntactic alignment is ergative, meaning that it treats (i.e. case-marks) the argument ("subject") of an intransitive verb like the object of a transitive verb, but distinctly from the agent ("subject") of a transitive verb.
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Furthermore, the argument that subjects had selected a rule in advance even on nominal no-rule trials could not easily be applied to experiment 3 or other action-selection studies which made no reference to rule choices in training or scanning.
"l want to make the argument that the subject of skyscrapers is current".
If you can't win the argument, change the subject.
Hence the underlying frame of a certain language has a fixed constituent order in terms of the finite verb and its two arguments, subject and object.
Perhaps the most powerful moment is the argument on this very subject between Colin and prison psychiatrist Stevens (a convincingly frustrated Dominic Gately).
But the above argument is subject to a very different sort of criticism, one that is connected with a feature of the above argument which seems to me important, but which is not often commented upon the fact, namely, that the above argument is formulated in terms of axiological concepts, that is, in terms of the goodness or badness, the desirability or undesirability, of states of affairs.
In particular, the argument that corporations are subjects entitled to human rights such as freedom of expression is deeply problematic, undermining reasonable regulation and presenting a destabilizing influence on democracy.
This meaning distinction interacts with grammatical forms and underlines the argument structure of Experiencer-subject adjectives, since inherent feelings will not require the presence of a Stimulus as shown in 10a, but Stimulus is required and cannot be left out in 10b9.
He has the rare kind of mind that is a pure pleasure to watch in action, regardless of the subject and the argument being made.
In this lengthy and rather dry poem, the pattern for all later mystical mas̄navīs is established: wisdom is embodied in stories and anecdotes; parables and proverbs are woven into the texture of the story, eventually leading back to the main subject, although the argument is without thread and the narration puzzling to follow.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com