Sentence examples for the Critique of judgment from inspiring English sources

After the Critique of Judgment, a return to hedonistic and utilitarian explanations of art and beauty could (and did) take place only through ignorance of Kant's demonstrations.

Thus the critical examination of reason in thinking (science) is undertaken in the Critique of Pure Reason, that of reason in willing (ethics) in the Critique of Practical Reason (1788), and that of reason in feeling (aesthetics) in the Critique of Judgment (1790).

Thus, in the seminal work of modern aesthetics Kritik der Urteilskraft (1790; The Critique of Judgment), Immanuel Kant located the distinctive features of the aesthetic in the faculty of "judgment," whereby we take up a certain stance toward objects, separating them from our scientific interests and our practical concerns.

The Critique of Judgment has received less attention than the other two Critiques.

For more on the question of the unity of the Critique of Judgment, see under 3.1 and 3.2 below.

The connection between aesthetic judgment and moral feeling is a persistent theme in the Critique of Judgment.

Much of Kant's aesthetics and theory of teleology is developed without any explicit reference to the faculty of judgment, and the "Critique of Aesthetic Judgment" makes no mention of the role of reflective judgment in empirical scientific enquiry (in fact, the term "reflective judgment" does not figure in the "Critique of Aesthetic Judgment" at all).

The "Critique of Aesthetic Judgment" is concerned not only with judgments of the beautiful and the sublime, but also with the production of objects about which such judgments are appropriately made; this topic is discussed under the headings of "fine art" or "beautiful art" [schöne Kunst] and "genius".

However, Kant often uses the expression "aesthetic judgment" in a narrower sense which excludes judgments of the agreeable, and it is with aesthetic judgments in this narrower sense that the "Critique of Aesthetic Judgment" is primarily concerned.

These, along with associated topics, are discussed respectively in Section I, the "Critique of Aesthetic Judgment, " and Section II, the "Critique of Teleological Judgment.

The first section of the "Critique of Aesthetic Judgment", the "Analytic of the Beautiful," aims to analyse the notion of a judgment of beauty or judgment of taste, describing the features which distinguish judgments of beauty from judgments of other kinds, notably cognitive judgments (which include judgments ascribing goodness to things), and what he calls "judgments of the agreeable".