Sentence examples for that the utterances from inspiring English sources

Note that the utterances in the testing dataset contained different contents (sentences) from the utterances used to train the GMMs.

It is here that fictionalism comes to the rescue: if we suppose that the utterances in question are made in a fictional spirit, then eliminativist antirealism about (say) mathematics does not commit ordinary speakers of massive error.

Compared to previous ASR evaluations a particular novelty of the task is that the utterances to be recognised were provided in a continuous audio background rather than as pre-segmented utterances thus allowing a range of background modelling techniques to be employed.

The intractability and bitterness of many moral disputes, in Stevenson's opinion, speak in favor of the proposition that such disputes involve the clash of emotions, and that the utterances therein function to express the speaker's own emotion while serving her desire to influence those of the audience.

If paraphrase nominalists admit that platonists and fictionalists are right about the meanings of real mathematical utterances i.e., the utterances of actual mathematicians then (since they also want to maintain that there are no such things as abstract objects) they will be committed to the claim that the utterances of actual mathematicians are untrue.

Also note that the utterances of some pairs of participants may have sounded more artificial than others, and that even within the same pair of participants some sentences sounded more artificial than others since nasal sounds usually sound slightly more artificial than plosive sounds.

A writing system may be defined as any conventional system of marks or signs that represents the utterances of a language.

After decoding the sentence uttered and getting at the proposition expressed, the hearer will built a 'context' of 'implicated premises' or assumptions for getting the cognitive positive effects that make the utterance relevant.

Davidson's idea is that 'that' in (16) functions as a demonstrative that refers to the utterance of the sentence that follows.

In the Adagio introduction of the first movement, as the bassoon crept upward through the subdued sounds of the lower strings, Mr. Dudamel conveyed the music's almost defeated anguish, the feeling that the utterance is almost too painful to be played at all.

Clearly the idea is at least that the utterance must be grammatically correct.