Sentence examples for textual voice from inspiring English sources

The phrase "textual voice" is correct and usable in written English.
It can be used to refer to the distinct style or tone of a written work, often reflecting the author's personality or perspective. Example: "The author's textual voice is both engaging and thought-provoking, drawing readers into the narrative."

Exact(1)

Because the average person can read at least twice as quickly as he or she can speak, and text messages require no log-ins or waiting, Mr. Siminoff estimates that textual voice messaging is about 15 to 20 times faster than traditional voice mail.

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The analytical task of narrative research is to convert stories into narratives through actively listening to, and interpreting, textual voices.

So that was a textual building part for me.

Beyond dialogic expansion and contraction, I analyzed the incorporation of external voices (outside sources): textual integration, author integration, vocalization and endorsement, as seen in Table 3.

The Stone Diaries (1993), which won a Pulitzer Prize, begins in early 20th-century Manitoba and follows the life of Daisy from birth to death in a variety of voices and textual strategies, while in Unless (2002) a middle-aged professional woman confronts the nature of goodness and the disintegration of a comfortable family life.

According to Coffin (2006, 150 151), each of these voices or "textual personas" is realized by specific combinations or "conventionalized clusterings" of different types of Appraisal resources.

Even textual narration without a voice-over needs to scripted in advance so that your editor or animator will know what to include in the text.

I'm often accused of calling or texting back with unwelcome one-word answers, probably even "WTF" or "confused" when the conversation (voice or the textual ramble) has me either bewildered or mildly annoyed.

They admit that out of the 10 points only six embrace the 'puritan' code of writing - including pledges to "shun poetry and poetic licence in all its forms", to enforce "textual simplicity and avoid all devices of voice", while keeping a moral voice and a "recognisable ethical reality".

Analysis of Wes and Mara's drafts reveal changes in dialogism, argumentation, textual integration, author integration, and external voice endorsement.

A secondary purpose of the paper is to observe that the deployment of certain styles of invoked Attitudes can be related to the textual persona of the text's voice, since the stance (s) adopted by that persona is dependent on what the writer (s) assumes is or is not already known or acknowledged by interlocutors and other audience members alike.

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