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Repetitions mar the text somewhat: Mr. Thomas keeps jousting with the long-dead dogmatic Modernists and defending seemingly sleepy Philadelphia as the birthplace of "the first consumer culture".
Furthermore, rather than using an abstract subject/topic or presenting the cited information as authorless, the integration of external voice within a text somewhat opens up the dialogic backdrop in which the argument takes place.
Together with the occasional lab jargon or computer speak, this makes parts of the text somewhat difficult to read and understand.
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This makes the book interesting as a historical text, but somewhat unsatisfying as a work of fiction.
You should give three-quarters to the person who claims all of it, and the remaining quarter to the person who claims half of it, the text instructs, somewhat inscrutably.
So for The Last Kingdom it's Northumbria, AD 866, and production company Carnival has been poached from Downton Abbey, inspiration filched unashamedly from Game of Thrones and the History Channel's megahit Vikings, and text borrowed somewhat more legitimately from Bernard Cornwell's Saxon Stories.
The text, in somewhat broken English, reads: "I undertake that I can't be a member of any pro-Palestinian Organizations and not be in contact with any other Members of any pro-Palestinian Organizations, as well I will not participate in any pro-Palestinian activities.
September 12 2010 January 30 201111 This exhibition's wall text states, somewhat defensively, that the Jewish Museum has supported the work of feminist artists since the nineteen-eighties (a list of more than five hundred women artists whose work has been exhibited at the museum is also available).
Note that while the button remains relatively distinct, the text becomes somewhat harder to read with blur and noise, respectively.
Obviously you can see the information right there at the top of the article, so this text is somewhat redundant, but hey.
Though the text is somewhat inconspicuous on an otherwise bold and bawdy cover, the logo is noteworthy for its seminal use of a blackletter typeface, each letter anchored on a sturdy razor sharp point that mimics the incisive lyrics and baroque musical stylings of the record.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com