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For these reasons and because of its inherent strengths as a text, it is a significant contribution.
An excellent short introduction to its subject, thanks to Crumb's illustrations (and David Zane Mairowitz's text) it is also an almost perfect little book in its own right.
Even as an interim text, it is somewhat skeletal.
As a text it is constantly self-reflective, without always being self-aware.
"If this element is not in the text, it is unacceptable to us.
Hers is a postmodern text; it is a queer text; it is a work of black satire; it is a work of high feminist comedy; it is a post-soul text.
Moreover, because everything in the world is a "text," it is impossible to assert anything as objectively "true".
With text, it is even easy to keep track of differing levels of authority behind different pieces of information.
Set to Sawhney's original score, and without text, it is billed as a return to "pure movement".
More than a mere text, it is a traveling companion to be chanted, to be sung or to be heard.
Perhaps there is another motive behind Gass's love of the text: it is a refuge from his dread and contempt for humanity.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com