Only weeks later, a terrifyingly powerful Hurricane Irma gained power on a course toward St .Martin and Florida.
This is the terrifyingly powerful premise behind gene drives: a new and controversial genetic engineering technology that can permanently alter an entire species by releasing one bioengineered individual.
The play is reduced to seven pages, a kind of shrunken, double-headed drama, where a terrifyingly powerful Ophelia steps forward alongside Hamlet and steals his limelight.
"On Mercy," Wilson observes, can be read as a sign that Seneca was "willing to praise this violent, dangerous, and terrifyingly powerful young ruler even to the extent of absolutely denying the reality of his behavior".
Being stuck means that you are constantly fighting for both sides; for a terrifyingly powerful eating disorder which wants you to cling to it and never let go, and for the part of you that wants to live.
Because Side Effects is brilliant: a noir psychological thriller – like a 21st-century Marnie, or Rosemary's Baby – that is also an acid satire on big pharma, the mental health profession and its terrifyingly powerful, priestly caste of doctors.
This World Series, this one in particular, is so meaningful and so important is because at some point, the fact that the Cubs had not won a World Series in many years became a terrifyingly powerful thing.
Notoriously inspired by the career of Walter Winchell, the terrifyingly powerful gossip columnist, the film transcended box-office failure to become a cult favorite for its jittery, high-adrenaline style and piquant dialogue (by Mr. Lehman and Clifford Odets).
Smith has form on these mysterious, prophet-like figures who surface like unexploded bombs, not least in The Accidental (2005), in which the terrifyingly powerful Amber turned up in rural Norfolk to wreak havoc on a creaking family's summer retreat.
Even better, here is the complete film of the terrifyingly powerful performance of Verdi's Otello with Domingo at La Scala in 1976; and for good measure here's my personal favourite at the moment: his frighteningly moving Brahms's Second Symphony with the Vienna Philharmonic.
Apprehending this adds another layer to the terrifyingly powerful climax of Ivan Ilyich, in which Ivan's rapture ("There was no more fear because there was no more death") does not convince, but jars against his earlier, terrible description of death as "that black sack into which an invisible, invincible force was pushing him".
