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But I'm still going to need some convincing, particularly in terms of the characters' motives.
Isabel Katzin, a professional book club leader, asked the women to examine the book in terms of the characters who seemed to be Mr. Moehringer's teachers.
But it's a particular kind of love, what we might call "mature love," both in terms of the characters' age, and in the way they love, which is deeply, seriously.
When Mark Kermode reviewed The Battle of the Sexes, the 2013 documentary about the tennis match between Bobby Riggs and Billie Jean King, he wrote: "In terms of the characters, you couldn't make them up".
That's true — albeit within limits, because the nature of those responses is calibrated (or, rather, set up) in terms of the characters' walk of life, and that set-up is more a vision of insecurity and even of frustration than of any particular drama.
In terms of the characters, you couldn't make them up: King is both a brilliant athlete and an increasingly articulate advocate, demanding gender equality through thought, word and deed; Riggs is a caricature, a public buffoon whose goofy exterior masks a steely devotion to winning.
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"We worked on everything and everything changed in terms of the character designs and the world [of the film] itself," he says.
The beguiling way to look at it is in terms of the character of the spy: the way he acts and his attributes, those he takes on in some undercover operation and those that make one wonder about who he is and where his loyalties really lie — about his own character, in the moral sense.
The movie would have been better if the cue card had been visible onscreen; if Dominik had been holding it; if Pitt pulled it from his pocket; if — in lieu of giving the moment some congruity in terms of the character's back story — the filmmaker had made more of its incongruity.
However, by the end it makes sense, both in terms of the character she's playing, who is in some sense playing a part herself, and because the story turns out to be in many ways more a fable than crime thriller.
These web-links are then categorized in terms of the character of the included information, for example news, reports, scientific studies, or advertisement/public relation.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com