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His tempo was quick, his mind blank.
His tempo was bracing; no dawdling allowed.
The tempo was superfast, the energy nonstop.
Its perfect tempo was there from the beginning.
The company said In Tempo was "an unquestionable banner for the future".
This encounter was feisty, and the tempo was high from the first whistle to the last.
The tempo was somewhat contained, even during the movement's episodic flights.
The tempo was chokingly slow, and the pair's swooning moments were more laborious than ethereal.
What any of this had to do with Bach other than general tempo was never apparent.
These minor blemishes apart, Jayawardene's tempo was a thing of beauty.
Traditionally conceived music was replaced by something approaching pure motion, though the tempo was rarely fast.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com