Sentence examples for tempo key from inspiring English sources

It has range: as she performed close facsimiles of its songs on Friday, there were mid-song changes of tempo, key and instrumentation.

In the same way that listeners can recognize the characteristics of sound and music – tempo, key, chord progressions, genre, or song structure – MIR algorithms are capable of recognizing and extracting this information, enabling systems to perform extensive sorting, searching, music recommendation, metadata generation, transcription, and even aiding/generating real-time performance.

In the same way that listeners can recognize the characteristics of sound and music - tempo, key, chord progressions, genre, or song structure - MIR algorithms are capable of recognizing and extracting this information, enabling systems to perform extensive sorting, searching, music recommendation, metadata generation, transcription, and even aiding/generating real-time performance.

Each crescendo, tempo, key and beat change works impeccably.

Rutter frequently shifts tempo, key and time.

Tempo, key and time signature changes are common within progressive rock compositions.

Tempo, keys, all those things can dictate what song I'm going to play next, you know, as opposed to, 'Oh, I've got to do my hit single now, I've got to play this album all the way through,' or whatever.

The transition from "Out in the Way" to "Face It" brings on a feeling of déjà vu: same tempo, same key, same feel.

They looked at the rhythmic patterns of several compositions, and found that sudden, unexpected changes in tempo and key in Beethoven's music appear to match such asymmetrical patterns.

Well, "One Day" is like a cover version played by a clever British pop band, hitting the theme of platonic male-female friendship (and the supposed long-term impossibility thereof) in a different tempo and key.

The jury was unswayed by such strict formalism and instead embraced a more holistic view, according to which — in the words of a prior ruling involving Mariah Carey — "no approach can completely divorce pitch sequence and rhythm from harmonic chord progression, tempo, and key, and thereby support a conclusion that compositions are dissimilar as a matter of law".