Sentence examples for television graphic from inspiring English sources

He saw one television graphic, which noted the Thunder's last playoff appearance as 2005.

"I grew up with a backyard pool, and this is more fun," said Lisa Gaupset, a 41-year-old television graphic designer, whose 4-year-old daughter, Lara, and 12-year-old son, Jesse, were in the pool with her while her oldest son, Kristian, was surfing.

I got into football later than most, but I have a lot of other male-friendly ephemeral interests: television, graphic novels, gambling, hip-hop, and, crucially, girls.

I got into football later than most, but I have a lot of other male-friendly ephemeral interests: US television, graphic novels, gambling, hip-hop and, crucially, girls and that.

But batting average persists as the first number listed, not just for teams, but for individual players on scoreboards, television graphics and box scores.

He is one of the creators of a popular television graphics effect: superimposed lines that serve as virtual first-down yard markers for football fans.

Our television graphics company, TviV of Denver, was one of the true innovators of this technology, with the first electronic settings created for a cable network, Prime Sports Network.

Those signals swiftly reached a cramped white van parked outside the arena where they became television graphics and data for ABC Sports.

Chyron, which makes products used in creating television graphics, said it closed its Internet Services operation last year and, in the fourth quarter, cut staffing by 26percentt and reduced overhead, saving costs of almost $11 million.

"He was, indeed, a pioneer of television graphics at a time when his artistry and genius were all we had to demonstrate a complicated story," the former CBS anchor Walter Cronkite said in an e-mail message reported on NorthJersey.com.com

(Johnson) 'Graphic Design — Now in Production' (through Sept. 3) This exhibition of posters, books, magazines, typography, branding and film and television graphics created since 2000, and organized by the Walker Art Center in Minneapolis and the Cooper-Hewitt, National Design Museum, vacillates between design made for industry and design that critiques it.