Sentence examples for technique and interpretive from inspiring English sources

Exact(4)

He began conducting in the late 1980's, and on Tuesday evening he showed that he has both technique and interpretive flexibility going for him.

Similarly stark contrasts were heard in Mr. Hersch's Sonata for Unaccompanied Cello, an arching 35-minute work that amply repays the considerable demands it makes on a cellist's technique and interpretive imagination.

She showed the livelier side of her technique and interpretive sensibilities in the one antiquity on the program, Bach's A minor Suite (BWV 1013) for unaccompanied flute, and a modern echo of Bach's style, Villa-Lobos's "Bachianas Brasileiras" No. 6 (1938), a duet for flute and bassoon in which Ms. Stillman's partner was Darryl Hartshorne.

They are truly great virtuosi, but even their technique and interpretive powers could not bring coherence to a music in which there is so little.

Similar(56)

Yet it also provides valuable insights into the inner workings of Gould's distinctive technique and unorthodox interpretive approach.

In 1980, he recorded all six sonatas and partitas for Philips in an explosive set that became the best introduction to his blend of peerless technique and wild interpretive imagination.

Eliot Fisk, a guitarist with an energetic and precise technique and considerable interpretive acuity, is to be the soloist in a new chamber concerto by George Rochberg, "Eden: Out of Time and Out of Space". Mr. Rochberg has written several works for Mr. Fisk and seems to have a good sense of the guitar's idiosyncratic language.

Bach has been well served there: his "Art of Fugue" and "Brandenburg" Concertos are regularly scheduled, and the program tonight and on Sunday afternoon is devoted fully to the "Goldberg" Variations, played by William Wolfram, a pianist with a brilliant technique and fine interpretive instincts.

The music on Saturday sounded magnificent, thanks in part to Mr. Jacobs's supple technique and vivid interpretive imagination, but also to the wonders of the church's French-paletted Aeolian-Skinner organ, which can eerily ventriloquize so many orchestral instruments.

This Russian pianist won the gold medal at the Tchaikovsky Competition in 1990 and has made numerous recordings that show a powerful technique and an interesting interpretive personality.

A 2003 performance of the concluding section of "Nocturnal" shows that even after retirement Mr. Bream's technique and his probing interpretive imagination were intact.

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