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As the collection, which is largely arranged chronologically, moves toward 1930 and the normalization of the talking feature, the form of the films becomes more sophisticated, with multiple camera angles and occasionally more than one set.
In 1929 Arzner directed Paramount's first talking feature, The Wild Party, for which she created the "boom mike," a long pole with a microphone attached that followed the actors around but remained out of camera range, thus giving the actors a mobility that had been prohibited by the stationary microphones previously used.
But the calibre of her regular writers in the 1960s - Shirley Williams, Lena Jeger, Marghanita Laski, Taya Zinkin, Gillian Tindall, Margaret Drabble - made the Guardian's weekly Women Talking feature one of the most widely read and avidly discussed newspaper features of its period.
The other knock on the smack talking feature is that it is not in real-time but rather asynchronous, and it is limited to 140 characters.
The little guy seems to sport Rovio-ish 'legs' but also an interactive talking feature that is sure to amuse your little sister – or, for our 'grown up' peeps, your cat.
The following year, Ardeshir Irani directed the first Indian talking feature, the Hindi-Urdu Alam Ara, and produced Kalidas, primarily in Tamil with some Telugu.
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Continuous talking features were another matter.
Few if any producers were thinking at the time of full-length talking features.
However, even with access to both technologies, most of the Hollywood companies remained slow to produce talking features of their own.
Though the country's film industry was among the first to produce both sound and talking features, the full changeover to sound proceeded much more slowly than in the West.
It all began when Jennifer Weiner, a former newspaper reporter who has written nine best-selling novels, read Andrew Goldman's latest "Talk" feature in last weekend's Times Magazine.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com