Sentence examples for synthetic texture from inspiring English sources

There's a slight push toward synthetic texture, though the prevailing sound still involves her voice against a twangy guitar, both bathed in cavernous reverb.

A three-quarter-length leather jacket in hot fuchsia has been tortured into the synthetic texture of wet-suit neoprene; a jacket in a smooth marbled gray leather they call "fuomo" brings to mind the finer sectional couches of Belarus.

Fig. 10 Experimental results on synthetic texture image; a original image; b noisy image; c restored image by method M1; d restored image by method M2; e restored image by method M3.

What that means on this remix of Porter Robinson and Madeon's "Shelter"—the original of which already has poignancy to spare is a Skrillex-indebted combination of pitch-shifted vocals, sparkling synthetic texture, and hyper-kinetic drops.

The most obvious of these is an array of synthetic textures produced electronically by Mr. Anderson and Mr. King.

But underneath, there are riffs and vamps, pulses and pounding beats, glistening synthetic textures and an overall banging boshing feel; it's like these tracks have been beamed straight from Gatecrasher or Love Parade circa 1999.

Images in Experiment 2 were 'Clumpy Lumpy Background' synthetic textures that were designed to emulate real mammogram textures (Castella, Kinkel, Descombes, & Eckstein, 2008).

In addition to the extensive research on natural scenes, much of vision research has (effectively) studied vision at a glance using artificial, psychophysics-style stimuli (e.g., Gabors, simple 2D/3D shapes, synthetic textures, etc).

Guest DJs including Gaslamp Killer, Battlecat and Ras G wove synthetic textures.

Borthwick and Moy have described the genre as diverse but "...characterised by a broad set of values that eschewed rock playing styles, rhythms and structures", which were replaced by "synthetic textures" and "robotic rigidity", often defined by the limitations of the new technology, including monophonic synthesizers (only able to play one note at a time).

C) Higher order spatial correlations and perception in the "glider" formulation used here: (i) A long history of studies by Victor, and specifically the recent work: Tkačik, Gašper, et al. "Local statistics in natural scenes predict the saliency of synthetic textures".