The word 'symphonic' is correct and usable in written English.
It is typically used to describe something that is related to symphony or the characteristics of a symphony, such as music, orchestration, or structure. Example: The symphonic concert was a stunning display of musical talent and precision. The orchestra's rendition of Beethoven's 5th Symphony was truly symphonic in its grandeur and complexity.
On the surface, Luca Guadagnino's bold, aggressively contemporary direction attacks an age-old story from all angles, zooming, tracking and tilting as John Adams's affecting symphonic score booms.
She could weave a novel out of nothing, as Haydn could compose a symphonic movement from a couple of bars of music.
Its savage violence confronted head-on the aesthetics of impressionism – then at the apogee of Parisian musical fashion – just as the razor-sharp editing between phrases subverted the smooth, seamless flow of the Germanic symphonic tradition with pitiless efficacy.
In the resulting environment of escalating gaps in per-capita public cultural spending between London and the rest of the UK, an unneeded symphonic Xanadu in the capital would be to risk a provocative disharmony.
Instead of viewing the piece as the apotheosis of symphonic thinking as so many of Beethoven's biographers and critics have done in the past Mr Buch locates it in a tradition of popular, patriotic song-writing that has its roots in national anthems, like "God Save the Queen", and such revolutionary tunes as the "Marseillaise".
Ms Ott was at her best in these moments, employing a lucid technique, warm touch and close ensemble with the orchestra.A product of the late Romantic period, the concerto also has its heroic symphonic sections.
Under Mr Barenboim's leadership, they have performed and recorded both operatic and symphonic repertoire, including all Beethoven's symphonies and piano concertos, and the complete symphonies of Schumann, Brahms and Mahler.These composers might seem to be from an entirely different world from Berg and his unrelenting modernism.
One distinctive feature of his career is a commitment to vocal music rare in a symphonic conductor, a reflection of his own early training as a singer and, perhaps, the influence of his wife, Kristine Opolais, who is a soprano.
The wavy-haired composer's last symphonic work, in D minor, is a mass of paradoxes and contradictions.
But the music he heard in his head as he played was "symphonic", far surpassing even the sound of the instrument he embraced.Perhaps his most memorable performance was of Dvorak's cello concerto, in London in September 1968, just after the Soviet-led invasion of Czechoslovakia that crushed the Prague Spring.
He is equally piratical with the world's musical styles.In the early 1960s, he composed a symphonic poem for 100 metronomes (it sounds like blind men applauding with their canes) which run down for 19 minutes until only one is left.
