"sweet singing" is a valid and usable phrase in written English.
It can be used as a noun phrase to describe the act of singing in a pleasant and pleasing manner. Example: The birds filled the air with their sweet singing, creating a peaceful and serene atmosphere in the park. In this sentence, "sweet singing" is used to describe the birds' pleasant and melodious singing. It adds a descriptive and vivid element to the sentence, making it more engaging and evocative for the reader.
Sissie, renowned in the family for her sweet singing voice, is resolute in her serenity and passivity.
Haitian konpa is a pretty soft and smooth genre, known for its romantic rhythms and sugary sweet singing.
Yes, the older sister who tries to protect a young sibling is another cliché, but sweet singing can make you forget thin writing.
Mansi Parekh's Heli is spry, fleet and has a sweet singing voice, bringing an appealing playfulness to a role that can sometimes seem nervily obsessive.
And in the foreground, just barely, the deceptively sweet singing voice of Satomi Matsuzaki, bringing an uneasy calm to lyrics that court the absurd.
Ms. Jansen plays the solo line with a sweet, singing tone, but even in the slow movement, she keeps the music from becoming lugubrious.
This endearingly odd post-punk band has always made the most of incongruity, framing the girly-sweet singing of its bassist, Satomi Matsuzaki, against a crashing cacophony of guitar riffs and the slipperiest sort of rock drumming.
But the band's original core, dating back to the mid-1980s, still has an unmistakable sound, defined almost as much by pummeling rhythm as by J Mascis's salty-sweet singing and distorted guitar.
Thousands of supporters of his Aam Aadmi (Common Man) Party (AAP) have been celebrating outside the party office, distributing sweets, singing, dancing and setting off firecrackers.
On Apocalypse, Hval's piercing and steely-sweet singing is punctuated by spoken-word passages that sound almost aggressively gentle, but conceal a barbed take on the sociocultural imperatives women internalize as they become feminized.
Buffy essayist Ian Shuttleworth writes that Amber Benson Taraa) has "the sweetest singing voice of all the lead players", referring to "Under Your Spell" as "heavenly and salacious"; author Nikki Stafford concurs, writing that Benson "has the most stunning voice, showing a surprising range".
