Sentence examples for sweet rendition from inspiring English sources

The talk-show host Jimmy Fallon does a jaunty, sweet rendition of "Swimming Song".

Ms. Höglund's sweet rendition of Bizet's "Adieux de l'Hôtesse Arabe," which followed the Schumann, was overpowered by the dancer Laura Careless's brusque contortions.

They were a delight at Basso & Brooke, where the design duo brought a literary romance to soft dresses that incorporated love letters and scripts in hazy patterns — a sweet rendition of the more strident prints of former collections and a fine example of melding modern technology with a romantic past.

As a rule, the more traditional-style dishes — like a peculiarly appealing sweet rendition of dashimaki tamago, a rolled omelet flavored with dashi and mirin — bested the nouveau dishes (though a special of fried shrimp with a Caesar-like mayonnaise-based dressing did impress).

Fallon at least left "Late Night" with a bang: His Feb. 7 swan song, in which he performed a sweet rendition of the Band's classic anthem "The Weight" alongside the Muppets, drew the highest ratings the show has seen since David Letterman signed off in 1993.

Nor can we spend my first night in Africa listening to the Afro-lounge pianist whose mango-sweet renditions keep asking the musical question: "When does the reality of an African cat playing stuff this square transcend ironic-kitsch appreciation and morph into the hold music for the Nairobi Suicide Hot-line?" Answer: immediately.

"You have to go with the times — this is what's in," said Joe Torres, the longtime owner, who turns his back room into a karaoke lounge every Friday at 9 p.m. On this night, the first of the performances finally came at 11 18 p.m.: an unexpectedly sweet, yearning rendition of a 1961 Sam Cooke hit.

While Lerner (like Beach Boys biographer Steven Gaines) took his original title from the 1966/7 song Heroes and Villains, it's significant that Pohlad's film is named after the opening track of Wilson's 1988 solo album, a sweet live rendition of which accompanies the end credits.

The ensemble concluded the program with a sweet-toned rendition of Mozart's Symphony No. 29 in A (which replaced the originally scheduled Violin Concerto No. 4).

Ms. Arado and Mr. Lilleslatten were joined by the violinist Adele Anthony for a sweet-toned rendition of Dvorak's Terzetto in C, offering a deeply expressive interpretation of the soulful Larghetto.

They offered two encores: Brahms's Hungarian Dance No. 7 and a sweet-toned rendition of Kreisler's "Liebesleid," an ever-popular bonbon that seemed a fitting conclusion to a lyrical evening.