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It was a pleasant surprise to find that Bergman's extraordinary palette, of flashy clothing and sickly walls, of Gould's swarthiness and Andersson's pallor, came through in the same way though with greater force — as did the confusion and pain that Bergman's extraordinary array of closeups exposes.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com